Lieske Huits, “At Once ‘Ancient’ and ‘Modern’: The Art-Journal’s Illustrated Catalogues and the Notion of Adaptation in Nineteenth-Century Historicism”; Ulrike Müller and Marjan Sterckx, “In the Picture: The Emergence of the Female Amateur in Fin-de-Siècle Exhibition Posters in Brussel”; Nick Parkinson, “Work of Art, Museum Trophy, Memorial Monument: The Ny Carlsberg Glyptotek’s Gloria Victis by Antonin Mercié”; Susan Waller, “Salem, the Prince of Tombouctou: A North African Model in Nineteenth-Century Paris”; Petra ten-Doesschate Chu, “Anthon van Rappard, Three Brushmakers and a Bookkeeper in the Institute for the Blind in Utrecht, 1891”; Allison Leigh, “Farewell to Russian Art: On Resistance, Complicity, and Decolonization in a Time of War” . . .