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Nineteenth-Century
Art Worldwide has just celebrated its sixth birthday and as we,
the editors, were blowing out the candles on the cake, we talked about
how much of its success we owe to our web designer and copy editors.
Emily Pugh conceived the template as well as the "look"
of the journal, has designed every issue to date, and has made it
into, what one well-known
blogger has called, "perhaps the most beautiful scholarly,
peer-reviewed online journal that's freely accessible." Robert
Alvin Adler and Janet Whitmore, who copy-edit the articles and the
book reviews, respectively, have been dedicated to their tasks, and,
better still, have done them with grace and humor. We are extremely
grateful to all three of them. |
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While we are singling out these three
people this time, we are always grateful to those who contribute to
the journal: the authors who submit their articles and reviews; the
articles' reviewers; the journal's financial supporters; and finally,
those of you who visit our site (some 600,000 hits a month) and in
so doing encourage us to continue what we are doing – we thank
you all! |
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Finally,
to keep Nineteenth-Century Art Worldwide as good as it is and
to keep it freely accessible, we need your help, especially in the
form of financial contributions. One painless way to give to the journal
is by ordering art books that are reviewed in NCAW through
our site. A direct link to Amazon.com
or Alibris
is provided. You don't pay any extra for your book but Amazon.com
and Alibris
pay us a small percentage. Of course, if you want to help even more,
we won't talk you out of it. Please click on How
to Support the Journal. |
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