Fig. 9. Detail of the gallery of Khnopff's illustrations and publications, Brussels installation. From left to right top row: Fernand Khnopff, Bruges-la-Morte, 1892, Bruges, private collection; Fernand Khnopff, The Hour, 1891, Zurich, Kunsthaus, Graphische Sammlung; Fernand Khnopff, Project for a frontispiece for the works of Villiers de l'Isle Adam, c. 1891, private collection; Fernand Khnopff, Praetereunt et Imputantur, 1894, private collection; Fernand Khnopff, Study for Caresses, 1896, Hearn Family Trust; Study for Caresses, 1896, private collection; Fernand Khnopff, With Joséphin Péladan. Pallentes Radere Mores, 1888, Ghent, Universiteitsbibliothek. Case left to right: Georges Rodenbach, Bruges-la-Morte, 1892; Fernand Khnopff, Bruges-la-Morte, 1892, private collection; Grégroire Le Roy, Mon coeur pleure d'autrefois, 1889; Fernand Khnopff, The Hour, 1891, private collection; Fernand Khnopff, The Hour as published in Ver Sacrum, 1898, Collection Michael Sagroske; Ver Sacrum December 1898; Emile Verhaeren, Les Flambeaux noirs, 1891; Joséphin Péladan, Istar, 1888; Joséphin Péladan, Istar, 1888. Photo courtesy Jeffery Howe