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Autumn 2008
| Volume 7, Issue 2
Nina Athanassoglou-Kallmyer on Classicism Between Empire and
Nation in Nineteenth-Century Europe; Annette Stott on child
memorial art of the late nineteenth century; Joel Hollander
reviews Laurie Dahlberg's Victor Regnault
and the Advance of Photography; Gabriel P. Weisberg reviews
Barcelona 1900 . . .
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Spring 2008
| Volume 7, Issue 1
Michael Garval on the postcard stardom of Cléo
de Mérode; Scott C. Allan on Gustave Moreau's Sphinx;
Theresa Leininger-Miller reviews Hiram
Powers: Genius in Marble;
Radha Dalal reviews Ken Jacobson's Odalisques and Arabesques .
. .
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of contents for this issue
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Autumn
2007 | Volume 6, Issue 2
Alastair Ian Wright on Ford Madox Brown; Anna Brzyski on artist-run
exhibition societies; Isabel Taube reviews two Tiffany exhibitions;
Janis Bergman-Carton reviews The Most Arrogant Man in France.
. .
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Spring
2007 | Volume 6, Issue 1
Patricia Mainardi on The Invention of Comics; Pamela M. Fletcher
on Creating the French Gallery; Sarah Sik reviews Evil by
Design by Elizabeth Menon; Caterina Pierre reviews Augustus
Saint-Gaudens (1848–1907). Scultore americano dell'Età
d'Oro. . .
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Autumn
2006 | Volume 5, Issue 2
Marni Reva Kessler on Degas's Woman with a Bandage; Paige
A. Conley on Bernard's Fumeuse de Haschisch; Willa Z.
Silverman reviews Sarah Bernhardt: The Art of High Drama;
Adrienne Childs reviews Portraits of a People: Picturing
African Americans in the Nineteenth Century . . .
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Spring
2006 | Volume 5, Issue 1
Therese Dolan on Manet's portrait of Emilie Ambre as Carmen;
Heather Belnap Jensen on the Journal des Dames et des Modes;
New Discoveries:Eugène Delacroix's Portrait of Charles
de Verninac, 1825-26; Nancy Scott reviews Italian Memorial
Sculpture; Brooks Beaulieu reviews Girodet . . .
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Autumn
2005 | Volume 4, Issue 3
Marc Fehlmann on the intended reconstruction of the Parthenon
on Calton Hill; Nancy Siegel on Albert Bierstadt; Sarah Burns
reviews Eve's Daughter/Modern Woman; Daniel Harkett reviews
The Power of Conversation: Jewish Women and Their Salons.
. .
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Summer
2005 | Volume 4, Issue 2
Special issue on Art Nouveau and Siegfried Bing, co-sponsored
by the Van Gogh Museum Amsterdam. Guest edited by Gabriel P.
Wiesberg.
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Spring
2005 | Volume 4, Issue 1
Nancy Locke on Manet's Oceanic Feeling; Sarah Sik on John Scott
Bradstreet and the Decorative Arts Revival in America; Elizabeth
Guffey reviews A History of Modern Design; Alan C. Braddock
reviews From Homer to the Harem. . .
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Autumn
2004 | Volume 3, Issue 2
Susan Sidlauskas on Emotion, Color, Cézanne (The Portraits
of Hortense; Alan C. Braddock's Painting the World's Christ;
Greg M. Thomas reviews Orientalist Aesthetics; Amy Ogata
reviews Shock of the Old: Christopher Dresser. . .
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Spring
2004 | Volume 3, Issue 1
James Smalls' Slavery is a Woman; Phylis A. Floyd on The Puzzle
of Olympia; Julie L'Enfant reviews The Rescue of Romanticism;
Katherine Kuenzli reviews Édouard Vuillard. .
.
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Autumn
2003 | Volume 2, Issue 3
Dario Gamboni on Gauguin's Genesis of a Picture; Lionel
Gossman on the Nazarenes; William Hauptmann reviews Carolus
Duran, 1837–1917; Kristi Holden reviews J.W. Waterhouse
by Peter Trippi . . .
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Spring
2003 | Volume 2, Issue 2: The Darwin Effect
Special issue exploring the influence of evolution on nineteenth-century
visual culture, edited by Linda Nochlin and Martha Lucy.
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Winter
2003 | Volume 2, Issue 1
Maura Coughlin on "Millet's Milkmaids"; Paul A. Manoguerra
on Albert Bierstadt's Roman Fish Market; Janet Whitmore
reviews American Sublime; Alan C. Braddock reviews Thomas
Eakins: An American Realist . . .
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Autumn
2002 | Volume 1, Issue 2
Annette Leduc Beaulieu and Brooks Beaulieu on The Thadée
Natanson Panels; Sébastien Clerbois "In Search of
the Forme-Pensée"; Karal Ann Marling reviews
Candace Wheeler: The Art and Enterprise of American Design,
1875-1900 . . .
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Spring
2002 | Volume 1, Issue 1
Commentaries on the future of nineteenth-century art by Annette
Blaugrund, Werner Busch and others; Joy Sperling on the Art
Union in the U.S. and Britain; William Hauptman reviews Louise
Breslau: De l'impressionnisme aux années folles .
. .
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