Negotiating Identity: Mary Ellen Best and the Status of Female Victorian Artists by Temma Balducci The watercolors produced by Mary Ellen Best (1809-91) around the time of her 1840 marriage indicate a shift in her self-identification from a semi-professional artist to a disinterested wife and mother.
	The Thadée Natanson Panels: A Vuillard Decoration for S. Bing's Maison de l'Art Nouveau by Annette Leduc Beaulieu and Brooks Beaulieu Edouard Vuillard's participation in the decoration of S. Bing's 1895 Maison de l'Art Nouveau was ensured by the generous patronage of the critic Thadée Natanson, whose aesthetic tastes and enthusiasms were incorporated by Vuillard into his harmonious ensemble.		Art Nouveau and the Social Vision of Modern Living: Belgian Artists in a European Context by Amy Fumiko Ogata Reviewed by Gabriel P. Weisberg   Candace Wheeler: The Art and Enterprise of American Design, 1875-1900 Reviewed by Karal Ann Marling   Exposed: The Victorian Nude Reviewed by Juliet Hacking   Jules Breton: La Chanson des Blés Reviewed by Jan Dewilde   Light! The Industrial Age 1750-1900: Art & Science, Technology & Society Reviewed by Marilyn Brown   Out Looking in: Early Modern Polish Art, 1890-1918 by Jan Cavanaugh Reviewed by Irena Kossowska   Polish Art Nouveau by Stefania Krzysztofowicz-Kozakowska Reviewed by Jane Kristof   The Scandinavian Pupils of the Atelier Bonnat, 1867-1894 by Siulolovao Challons-Lipton Reviewed by Gabriel P. Weisberg
	In Search of the Forme-Pensée: The Influence of Theosophy on Belgian Artists, Between Symbolism and the Avant-Garde (1890-1910) by Sébastien Clerbois         Nikolaos Gyzis's The Secret School and an Ongoing National Discourse by Antonis Danos         Gustave Planche, or The Romantic Side of Classicism by Marijke Jonker         Physiology and Photography: The Evolution of Franz von Lenbach's Portraiture by Carola Muysers         Antoine Vollon and His Smashing Pumpkin: On Media Hype and the Meanings of Still Life by Carol Forman Tabler